The movements we make leave marks that carry meaning and memory — whether it’s the trace of an etching needle over a printing plate, the worn-down varnish removed by dozens of dancers slip-circling across a wooden floor, or a groove carved in the earth by thousands of feet over centuries.

I am especially interested in how we find and recuperate queer-bodied spaces inside the everyday and the habitual — in between the serialised and repetitive actions that generate footpaths, folk dances, printed images, animation, archives, and more.

Across media, I create my work in the context of the ordinary, the vernacular, and the iterative rather than the spectacular. Hand-crafted, digitally informed, historically rooted, and movement-based, my work celebrates the queerness of the familiar through individual and collective forms of expression.