Photography
A series of cyanotypes from my Dancing Queer History project.
Cyanotype is a cameraless photographic process; when exposed to sunlight and then rinsed in water, the prepared surface turns blue where it was struck by light. To create these works, we danced a slipping circle (a figure for four people holding hands, moving to the right and left with a side-step), a swing, or a right-hand turn on each sheet. Our moving bodies often blocked enough light to create a faint halo directly beneath us, but the stronger forms were created by our shadows.
Contact and connection are core elements of social folk dance and of cyanotype printing — but dancing above the paper, our movement and distance create ghostly images more evocative of clouds and water than solid bodies.
Right-Hand Turn: Gillian and Corinne, 2026. Cyanotype on paper, 52 x 48 inches (approx.). While making this print, Gillian and Corinne paused their movement long enough to capture a clear shadow of their connected hands and the partial imprint of their feet, grounding the hazy circles creating by the moving bodies in the preceding moments.
Pinewoods Slipping Circle (Long Pond Rinse): Brooke, Gil, John, and Annie, 2026. Cyanotype on paper, 52 x 52 inches (approx.). Pinewoods Dance Camp is on the shore of Long Pond, outside Plymouth, Massachusetts. We rinsed Pinewoods Slipping Circle in the pond, which gives the print a unique character.
Slipping Circle (Solar Noon, Boston): Beccy, Bria, Kyra, and Louise, 2026. Cyanotype on paper, 52 x 52 inches (approx.).
Swing (Five O'Clock Shadow): Linda and Louise, 2026. Cyanotype on paper, 52 x 48 inches (approx.).